A Cinematic Exploration of Patriarchy and Female Sexuality in ‘Putulnacher Itikatha’

The film adaptation of Manik Bandopadhyay’s novel, ‘Putulnacher Itikatha,’ directed by Suman Mukhopadhyay, offers a rich and nuanced portrayal of Bengal’s literary heritage. Released on August 1st, the film delves into the complexities of patriarchy, the impact of colonial education, and the suppression of female sexuality. The narrative unfolds in the village of Gaudia, where Sendidi, portrayed by Ananya Chatterjee, embodies the suffering inflicted by patriarchal norms. Her blindness symbolizes the marginalization and oppression experienced by women. Mukhopadhyay masterfully balances socio-historical context with a fluid storytelling approach, ensuring the wider societal issues do not overshadow the cinematic experience. Sayak Bhattacharya’s cinematography captures the visual essence of the village, evoking a sense of wistfulness and regret. Abir Chatterjee delivers a powerful performance as Shashi, a doctor navigating a changing social order. The film also explores themes of escape and societal constraints through characters like Moti and Kusum, the latter portrayed by Jaya Ahsan, who challenges societal norms. The subplot featuring Jadav Chatterjee adds a layer of complexity, though it proves to be the most challenging aspect of the novel to translate to screen. Mukhopadhyay’s daring approach highlights his artistic vision and his ability to bring the nuances of the novel to life.